Product Description

This DZOFilm Arles FF/VV Prime Cine 5-Lens 14/21/40/135/180mm Set PL Mount includes five focal lengths ranging from wide to telephoto. This ARRI PL fullframe compatible set comprises 14, 21, 40, 135, and 180mm lenses and a lens case. All the lenses share similar gearing, iris blades, front diameters, and aperture ranges for easy switching. See below for more information on the individual lenses included in DZOFilm Arles FF/VV Prime Cine 5-Lens 14/21/40/135/180mm Set PL Mount kit.

DZOFilm Arles 14mm T1.9 FF/VV Prime Cine Lens (ARRI PL)

Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the DZOFilm Arles 14mm T1.9 FF/VV Prime Cine Lens to capture consistently sharp, natural-looking imagery. This 14mm prime lens has an aperture range of T1.9 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
Large-Format Coverage
  • The Arles series lenses have a 50mm image circle, providing compatibility with large-format camera sensors.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras.
Consistency across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze.

DZOFilm Arles 21mm T1.4 FF/VV Prime Cine Lens (ARRI PL)

Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the DZOFilm Arles 21mm T1.4 FF/VV Prime Cine Lens to capture consistently sharp, natural-looking imagery. This 21mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
Large-Format Coverage
  • The Arles series lenses have a 50mm image circle, providing compatibility with large-format camera sensors.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras.
Consistency across Series
A 95mm outer diameter and an M86 filter thread allow you to incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze.

DZOFilm Arles 40mm T1.4 FF/VV Prime Cine Lens (ARRI PL)

Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the DZOFilm Arles 14mm T1.4 FF/VV Prime Cine Lensto capture consistently sharp, natural-looking imagery. This 40mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
Large-Format Coverage
  • The Arles series lenses have a 50mm image circle, providing compatibility with large-format camera sensors.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras.
Consistency Across Series
A 95mm outer diameter and M86 filter thread allow you to incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze.

DZOFilm Arles 135mm T1.8 FF/VV Prime Cine Lens (ARRI PL)

Cinematic, Painterly Look

Equip your full-frame ARRI PL-mount camera with the DZOFilm Arles 135mm T1.8 FF/VV Prime Cine Lens to capture consistently sharp, natural-looking imagery. This longer 135mm prime lens has an aperture range of T1.8 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
Large-Format Coverage
  • The Arles series lenses have a 50mm image circle, providing compatibility with large-format camera sensors.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras.
Consistency across Series
A 95mm outer diameter and M86 filter thread allow you to incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze.

DZOFilm Arles 180mm T2.4 FF/VV Prime Cine Lens (ARRI PL)

Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the DZOFilm Arles 180mm T2.4 FF/VV Prime Cine Lens to capture consistently sharp, natural-looking imagery. This longer 180mm prime lens has an aperture range of T2.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
Large-Format Coverage
  • The Arles series lenses have a 50mm image circle, providing compatibility with large-format camera sensors.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras.
Consistency across Series
A 95mm outer diameter and M86 filter thread allow you to incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze.

DZOFilm Hard Case with Foam Insert for Set of 5 Arles Prime Lenses

Use this Hard Case with Foam Insert from DZOFilm to safely transport and protect DZOFilm Arles FF/VV Prime Cine 5-Lens 14/21/40/135/180mm Set PL Mount prime lenses. It has a waterproof exterior, a pressure equalization valve, and a foam interior with custom cutouts to cushion and protect your lenses. The case has a flip-up handle that folds out of the way for storage and two latches keep the lid securely closed. It accepts user-supplied padlocks for additional security options.